Suchergebnisse

This article draws on the findings of in-depth interviews with consumers of portable storage devices in Melbourne, Australia, to explore the enduring significance of Universal Serial Bus (USB) portable flash drives. In the article, we develop the concept of 'liminoid media' as a way of coming to terms with continued use, and complications of use. Our understanding of this term is inspired by the seminal anthropological writings of Victor Turner ( pace Arnold van Gennep), more recent scholarship applying liminality to media studies and debates within media theory concerning the status of old and new media (where it has been argued, among other things, that media are always in transition rather than part of a strict old–new binary). Against this backdrop, we employ 'liminoid media' as a way of making critical sense of the 'betwixt and between' status of USB portable flash drives – their ongoing 'suspendedness' – and the complicated tensions that characterise participant use of these devices. For our participants, USBs are understood as fulfilling a compromise between emergent practices of cloud computing and more established forms of centralised data storage; they are understood as temporary data storage devices that are often used in semi-permanent ways to protect against data loss; they are seen as ephemeral devices that are rarely disposed of. USBs are also 'ritualised' insofar as they frequently become intimate, aestheticised everyday objects; yet, accompanying this ritualised 'suspendedness' are certain forms of risk and danger – of obsolescence, of data loss, of device failure, and so on. USBs, in short, occupy an essential if complicated position in people's contemporary data storage practices. Examining USBs, and the practices of use that surround them, we argue, provides insight into current (and always ongoing) changes in the media environment, and demonstrates the extent to which liminoid media are contemporary in use.

Sextech is currently experiencing a golden age, promising technological innovation to improve sexual health and well-being. However, the privacy and security vulnerabilities of smart sex toys have been the subject of media attention. Dating apps, menstrual trackers and sex toy companies have paid millions in compensation for non-consensually collecting or sharing intimate data. In this article, we share findings from a research workshop with prospective sextech industry professionals about how they approach data governance. The conversations reveal disconnections between the emancipatory, collective and rights-based possibilities offered by feminist and queer tech cultures, broader public interest in data commons and the technosolutionist narratives of start-up cultures. We conclude that there is a need for collaborations between industry, community and researchers to develop approaches to governance that reorganise, redistribute and decentralise the data economy of sex tech.

Within digital media scholarship, there are significant bodies of literature investigating forced disconnection ('digital exclusion') and voluntary disconnection ('digital disconnection') but there is little research addressing entanglements between them. This article explores how bringing together these bodies of literature through an empirical study offers new pathways and considerations for both areas. In doing so, we draw on qualitative data about the forms of disconnection experienced, negotiated, and enacted by low-income families in regional Australia before and during their participation in a digital inclusion initiative that provided them with Internet connections and laptops. We argue that their experiences illustrate the complex interplay of voluntary and involuntary factors that shape socially situated practices of disconnection. We also identify further implications for inclusion and disconnection research, including the need to recognise that within digital inclusion initiatives, participants' non-use of provided technologies does not necessarily indicate failure but may instead be a positive outcome.

"This book, Digital Domesticity: Media, Materiality, and Home Life, is concerned with the home, but it is not bounded by the home. While the home provides a necessary anchor point for our empirical and theoretical work, we are well aware that the home is not self-contained, but is a node in multiple commercial, cultural, and technical networks, all of which interact, and all with local implications and global reach. The home's socio-technical ecology operates in recursive relations with these much larger ecologies, none of which can be ignored if the home is to be understood. This book unearths this digital domesticity through accounts of evolving socio-technical relations as they unfold in processes of: adopting and adapting to new innovations; using, maintaining, as well as neglecting the complex of technologies in the home; and, confronting the obsolescence of particular technologies and failure of systems of consumer technologies"--